Rain Falls In Grey [CD : Released August 2007 : Cuneiform Records : RUNE 256]   Perhaps best known for electronic space music for keyboards, electronics and guitars, here Radio Massacre International have expanded greatly upon their usual sound and also use conventional rock instrumentation to create a sincere and moving tribute to Syd Barrett, and in doing so, manage to capture some of the psychedelic magic of 1967-1968. This album features a really striking cover by Daevid Allen, which is also a homage to Syd. "This album is our way of saying goodbye and thanks to a genuine one-off. His passing had an unexpectedly profound effect, despite the fact that he hadn't been near a guitar in more than 30 years. It forced us to consider what an enormous influence he was, despite his space-age ascendancy and equally rapid burnout. He picked up a zippo lighter, invented glissando guitar and incorporated non-musical sounds into the context of the new psychedelic movement that had hardly had time to leave the conformity of Rhythm & Blues behind. His creation was a particularly English take on what we now call 'rock'...and for those of us engaged in experimental or space rock, the debt is enormous."   Tracklisting: 1. Rain Falls In Grey... (17.11) 2. Bett'r Day-s (11.45) 3. Shut Up (4.56) 4. Syd (2:46) 5. Emissary (8.44) 6. Legacy (3.34) 7. ...Far Away (10.58) Special Guests: Martin Archer : Sopranino, Alto & Baritone Saxes, Bass Clarinet, Bass Recorder Cyndee Lee Rule : Electric Violin Album Reviews: choose a review: progressive ears prog planet the wire plan b ptolemaic terrascope dutch progressive rock pages sonic curiosity dream magazine Return to Discography Full-Length MP3: Bett'r Day-s		CIty 21 'City 21' is radio massacre international's first foray into film soundtrack work. Artistic director Chris Zelov was in the audience at our Gatherings concert of 2007 in Philadelphia, and as a result of what he heard, commissioned the band to provide the music for the project. The album is the result of intensive work undertaken in early 2008 and combines untypically brief pieces with the more extended pieces with which radio massacre international are usually identified, forming a coherent whole. It comes as a factory pressed disc in a digipack sleeve. Order yours today!